1 result for (book:tes7 AND session:310 AND stemmed:item)

TES7 Session 310 January 9, 1967 7/101 (7%) Keck Caroline Pomerantz Louis Brooklyn
– The Early Sessions: Book 7 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 310 January 9, 1967 9 PM Monday

[... 31 paragraphs ...]

A rectangular item of paper, perhaps the shape of a postcard and the size. A framework within a framework.

[... 5 paragraphs ...]

A very small image, such as the square or rectangle on the item. An invitation to attend. A fence or framework connection with the item. Connection with a man also. With you and another man, and some connection with the date 1 1492, perhaps leading to an historical event.

[... 17 paragraphs ...]

(Caroline Keck sent Jane the items to give to her in appreciation for a pen and ink drawing of a pigeon I gave to Caroline Keck. In July 1964 Jane worked at the Arnot Art Gallery, and Caroline Keck and her husband Sheldon spent some time there then, putting the gallery’s collection in shape. Jane liked Caroline Keck, and the two got along well. The drawing of the pigeon was among a group I had exhibited at the gallery at the time the Kecks were present; they saw it and admired it. I never met the Kecks, but told Jane to give the drawing to them.

[... 5 paragraphs ...]

(“A rectangular item of paper, perhaps the shape of a postcard and the size.” Again see page 230. The object is a rectangular item, of heavy paper or light card stock. It is also the shape of a postcard, and nearly the same size. Actually a bit smaller.

[... 2 paragraphs ...]

(The equalization, Jane believes, refers to the book by Louis Pomerantz, that along with the object and the mimeographed list were mailed to her by Caroline Keck from Brooklyn, NY, in August 1964. All three of these items refer to the conservation of paintings. The title page of Louis Pomerantz’s book shows that it was published by A Chicago Chapter Artists Equity Publication, 332 South Michigan Avenue, Chicago 4, Illinois. Artists Equity Association is dealt with in the book’s forward also.

[... 19 paragraphs ...]

(“A very small image, such as the square or rectangle on the item.” This could be distortion arising from the object being similar to a postcard. But as stated the object was not mailed alone, and bears no stamp, etc, nor any marking like a square or rectangle.

[... 1 paragraph ...]

(“A fence or framework connection with the item.” Again, framework can refer to frames, paintings, etc., as explained. A fence can also enter in, in a more literal way: The Arnot Art Gallery, where Caroline Keck, the author of the object worked, is surrounded by a black iron fence.

[... 13 paragraphs ...]

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