“Seth material” search engine (Jane Roberts)

(“And a G.” The illustrations for Louis Pomerantz’s book are done by Paula Gerard. But we think the G data a distortion, referring to our friend Bill Gallagher, as brought out in the question period.

(“A connection with something bound, as a book.” Possibly the book by Louis Pomerantz, mailed with the object to Jane. Some distortion possible, as seen by Seth’s answer to the first question.

(“A very small image, such as the square or rectangle on the item.” This could be distortion arising from the object being similar to a postcard. But as stated the object was not mailed alone, and bears no stamp, etc, nor any marking like a square or rectangle.

(“Connection with a man also. With you and another man," Some distortion develops here, but we think this legitimate data. See the copy of the object on page 230. Note that Caroline Keck writes Jane that her son Larry appropriated my drawing for his own use. Jane looked at me when she gave this data, incidentally.

(Below, she seems to veer into distortion a bit:

(1st Question: What’s that connection about a book? “It seems as to be an old book. A bound one, with a dark color such as brown on the cover. The side of pages when the book is closed seem dusky in color, like old gold color. The book having a connection with a desk, and another location.” Again, distortion. Jane said that here she confused old paintings and old gilded frames, such as the Kecks worked with at the Arnot, with old books. Quite possibly the book is Louis Pomerantz’s modern one, as described. The cover of this book is a rusty red. Also it may have laid on a desk, and it was sent to Jane from another location—Brooklyn, NY.

(3rd Question: And the G? “A large capital G is the impression. A fancy G.” Again, some distortions evidently. As will be seen Jane here thought of our friend Bill Gallagher, hence the capital G.