“Seth material” search engine (Jane Roberts)

(The envelope object for tonight was a card sent to Jane by Caroline Keck, conservator of paintings for the Brooklyn Museum, in 1964. See page 230.

A connection with light. Several small letters or numbers, and a stamped card, from a distant place. A hole in one. I do not know if this is a golf connection or to what it refers.

(See page 230. The object is a card, blank on the reverse side, written to Jane by Caroline Keck, conservator of the Brooklyn Museum; it was mailed to Jane in early August, along with a copy of the book, Is Your Contemporary Painting More Temporary Than You Think? and a mimeographed list of various addresses furnishing technical help and supplies regarding the conservation of paintings. The list was also compiled by Caroline Keck; the book by Louis Pomerantz.

(“A yellow square.” No connections. The object is printed on card stock with a light cream tint, but not yellow. Jane, oddly enough, said she had an image of a yellow square.

(“A rectangular item of paper, perhaps the shape of a postcard and the size.” Again see page 230. The object is a rectangular item, of heavy paper or light card stock. It is also the shape of a postcard, and nearly the same size. Actually a bit smaller.

(“Several small letters or numbers, and a stamped card, from a distant place.” See page 230. The object contains small printed letters in the address in the upper left corner. It also contains numbers in the date. It is a card, but is not stamped; instead of being mailed alone it was enclosed in a small package or envelope with Louis Pomerantz’s book and the mimeographed list described earlier; and all addressed to Jane.