“Seth material” search engine (Jane Roberts)

I can perceive much that you do not for example, but I hardly perceive all, and what I do perceive is but a fraction of All That Is. Survival personalities exist both as they were and as they are. This is an important point. What they were still exists, and under certain conditions can be perceived.

Four plus one, and an equalization, or equal elements of design. Connection with a 1962 date, or 1964, or both. A connection with a telephone call, and a stone framework. Rocky. And a JB.

(“A framework within a framework.” Somewhat vague, but we believe legitimate. Jane said the Kecks worked with frames and pictures while at the gallery in July 1964. A painting could be a framework, fitting within another framework—the frame. Could also be a generalization, referring to either the Arnot Gallery here in Elmira, or the Brooklyn Museum mentioned on the object, or both.

(“Connection with a 1962 date, or 1964, or both.” Seth is correct with both dates. See page 230. The object is dated August l, 1964—Caroline Keck’s mimeographed sheet is also dated 1964. Louis Pomerantz’s book’s copyright is in 1962.

(“and a stone framework. Rocky.” Probably another general reference to the object, in that the object’s author, Caroline Keck, was associated with both the Brooklyn Museum and the Arnot Art Gallery. Both edifices being made of stone, as well as with additions of brick, etc.

(Below this the Artists Equity Association is listed, with the president’s address as the University of Minnesota. Both Pomerantz and Gerard are members.

(“This leads Ruburt, now, toward a connection with the woman with whom she works.” This is valid data, we believe. Jane’s present working situation is much like that she worked in at the gallery in July-August 1964. Now, as then, she worked with a woman superior. Both women had M initials also for the last name—Masters at the Gallery, Methinitus now at the nursery school at the Jewish Community Center.