1 result for (book:tes7 AND session:310 AND stemmed:black)

TES7 Session 310 January 9, 1967 5/101 (5%) Keck Caroline Pomerantz Louis Brooklyn
– The Early Sessions: Book 7 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 310 January 9, 1967 9 PM Monday

[... 22 paragraphs ...]

Black coffee or tea, or coffee with sugar and no milk. More fresh fruits and vegetables. Less fried foods. More water and less other liquids. (Long pause.)

[... 7 paragraphs ...]

A yellow square. Black print or lettering or writing in a right-hand corner, extending outward toward the center.

[... 28 paragraphs ...]

(“Black print or lettering or writing in a right hand corner, extending outward toward the center.” See page 230. Jane said this data is correct, in that it referred to the Brooklyn Museum and Caroline Keck by name on the object, in the upper left corner. To Jane, this reading matter does project toward the center of the object.

(As noted on page 230, this copy is in a rusty red, much the same color as on the cover of Louis Pomerantz’s book. Caroline Keck’s handwriting on the object is in blue; hence no black appears on the object. Perhaps Seth interpreted the blue as black, however, then substituted it in the upper left corner.

[... 25 paragraphs ...]

(“A fence or framework connection with the item.” Again, framework can refer to frames, paintings, etc., as explained. A fence can also enter in, in a more literal way: The Arnot Art Gallery, where Caroline Keck, the author of the object worked, is surrounded by a black iron fence.

[... 13 paragraphs ...]

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