1 result for (book:tes7 AND session:310 AND all:"all that is")
50/101 (50%)
Keck
Caroline
Pomerantz
Louis
Brooklyn
Displaying only most relevant fragments—original results reproduced too much of the copyrighted work.
I can perceive much that you do not for example, but I hardly perceive all, and what I do perceive is but a fraction of All That Is. [...] This is an important point. [...]
[...] The personality has experienced new realities since death, and is no longer precisely the person that was. The person that was exists as a sort of psychological unit, however. The person, the survival person that is, contains all that he was, and more.
[...] There are many other realities that are far divorced from your own however. Every thought, as I have told you, is an action and must seek to fulfill itself. It is a fragment, therefore. You are literally surrounded by other realities that you do not perceive consciously. Some of these are perceived by the inner self, but all are not.
(The equalization, Jane believes, refers to the book by Louis Pomerantz, that along with the object and the mimeographed list were mailed to her by Caroline Keck from Brooklyn, NY, in August 1964. All three of these items refer to the conservation of paintings. The title page of Louis Pomerantz’s book shows that it was published by A Chicago Chapter Artists Equity Publication, 332 South Michigan Avenue, Chicago 4, Illinois. Artists Equity Association is dealt with in the book’s forward also.
(1st Question: What’s that connection about a book? [...] The side of pages when the book is closed seem dusky in color, like old gold color. [...] Jane said that here she confused old paintings and old gilded frames, such as the Kecks worked with at the Arnot, with old books. Quite possibly the book is Louis Pomerantz’s modern one, as described. The cover of this book is a rusty red. [...]
A small box, and that is all.
[...] “A small box, and that is all.” [...]
[...] This is valid data, we believe. Jane’s present working situation is much like that she worked in at the gallery in July-August 1964. [...]
[...] It is a card, but is not stamped; instead of being mailed alone it was enclosed in a small package or envelope with Louis Pomerantz’s book and the mimeographed list described earlier; and all addressed to Jane.
(4th Question: Who is the other man referred to besides myself? “Something to do with an animal in a tree, that I do not understand.” I had been hoping Seth, or Jane, might come up with Caroline Keck’s husband, Sheldon, or her son Larry, who is named on the object itself. [...]
