“Seth material” search engine (Jane Roberts)

A rectangular item of paper, perhaps the shape of a postcard and the size. A framework within a framework.

Four plus one, and an equalization, or equal elements of design. Connection with a 1962 date, or 1964, or both. A connection with a telephone call, and a stone framework. Rocky. And a JB.

A very small image, such as the square or rectangle on the item. An invitation to attend. A fence or framework connection with the item. Connection with a man also. With you and another man, and some connection with the date 1 1492, perhaps leading to an historical event.

(“A framework within a framework.” Somewhat vague, but we believe legitimate. Jane said the Kecks worked with frames and pictures while at the gallery in July 1964. A painting could be a framework, fitting within another framework—the frame. Could also be a generalization, referring to either the Arnot Gallery here in Elmira, or the Brooklyn Museum mentioned on the object, or both.

(“and a stone framework. Rocky.” Probably another general reference to the object, in that the object’s author, Caroline Keck, was associated with both the Brooklyn Museum and the Arnot Art Gallery. Both edifices being made of stone, as well as with additions of brick, etc.

(The framework data may be associative, coming from the earlier framework references having to do, we think, with paintings and frames.

(“A fence or framework connection with the item.” Again, framework can refer to frames, paintings, etc., as explained. A fence can also enter in, in a more literal way: The Arnot Art Gallery, where Caroline Keck, the author of the object worked, is surrounded by a black iron fence.