1 result for (book:tes7 AND session:310 AND stemmed:august)
6/101 (6%)
Keck
Caroline
Pomerantz
Louis
Brooklyn
[... 53 paragraphs ...]
(As usual I placed the object between two pieces of Bristol, then sealed it in two envelopes. Jane had not seen it since August 1964, since it has been in my files.
(See page 230. The object is a card, blank on the reverse side, written to Jane by Caroline Keck, conservator of the Brooklyn Museum; it was mailed to Jane in early August, along with a copy of the book, Is Your Contemporary Painting More Temporary Than You Think? and a mimeographed list of various addresses furnishing technical help and supplies regarding the conservation of paintings. The list was also compiled by Caroline Keck; the book by Louis Pomerantz.
[... 9 paragraphs ...]
(The equalization, Jane believes, refers to the book by Louis Pomerantz, that along with the object and the mimeographed list were mailed to her by Caroline Keck from Brooklyn, NY, in August 1964. All three of these items refer to the conservation of paintings. The title page of Louis Pomerantz’s book shows that it was published by A Chicago Chapter Artists Equity Publication, 332 South Michigan Avenue, Chicago 4, Illinois. Artists Equity Association is dealt with in the book’s forward also.
[... 1 paragraph ...]
(“Connection with a 1962 date, or 1964, or both.” Seth is correct with both dates. See page 230. The object is dated August l, 1964—Caroline Keck’s mimeographed sheet is also dated 1964. Louis Pomerantz’s book’s copyright is in 1962.
[... 10 paragraphs ...]
(“This leads Ruburt, now, toward a connection with the woman with whom she works.” This is valid data, we believe. Jane’s present working situation is much like that she worked in at the gallery in July-August 1964. Now, as then, she worked with a woman superior. Both women had M initials also for the last name—Masters at the Gallery, Methinitus now at the nursery school at the Jewish Community Center.
[... 12 paragraphs ...]
(The word “museum" has historical connotations, and the Kecks deal with old paintings, often of historic interest, so Jane is correct when she asserts that old paintings such as those the Kecks handled while in Elmira in August 1964, are also historical events.
[... 9 paragraphs ...]
