“Seth material” search engine (Jane Roberts)

(2nd Question: Who are the two women you mentioned? Initials? “We are having difficulty with Ruburt here, for he thinks of Vivian and your mother.” See the interpretation of the “two women and a man” data at the bottom of page 120. I tried to clarify that data here. My thought was that the two women and a man Seth referred to were Marjorie Buck, Ruth Gridley, and Roy Fox, all connected directly to The Art Shop, which furnished the bill used as envelope object. Jane evidently had in mind my mother, and Vivian and Bill Crowder, relatives from Virginia whom we saw this weekend. Seth apparently wanted to lead Jane away from the relative connection; but still volunteered no more specific information.

All you wanted was the opportunity, once again you see, to decide whether or not you could use commercial art for your own purposes, and you created the opportunity for trial. Now, simply write this down. S. Period. C. Period. These are capitals. An office on 42nd street in New York City. A man with short gray hair, somewhat portly, but with a boyish-type face. He could end up as a Dutch uncle, as you say, if you continue with this sort of endeavor.

S A G. Large letters, capitals. This seems to have something to do with the plane. 19 3 6 and 19 6 6 in connection with the type of plane, I believe. Or the pilot is connected with a man who in 1936 conceived ideas not used until this plane’s construction.

Connection with an old house; with another location; with two women and a man in particular. The color blue, as a background, I believe.

[...] 19 three six, or nineteen six six in connection with the plane, type of plane, I believe, or the pilot is connected with a man who in 1936 conceived ideas not used until this particular plane’s construction.