2 results for (book:tes7 AND session:296 AND stemmed:he)
Marjorie
Ward
Bill
blue
Buck
(To my surprise last Friday, October 21, I received a call from an old friend, Bill Ward, with whom I used to do comic books about 1940-2. He asked me to help him, probably on a regular basis, with some work, and I said yes. The work, involving inking, arrived Sunday. Wendell Crowley is a boyhood friend of Ward’s, and also an old friend of mine; he was my editor in New York City for some years after World War II. I was working with him in the early 1950’s. Also, see Session 290.
You may take a very brief break, and I shall continue. And Ruburt incidentally can relax. He is well on his way now. And yes, he did allow his old shoes to adopt a certain symbolism, and I should have mentioned this.
He then mentioned your name when an opportunity for you was presented. This is as far as you went. You wanted the opportunity. You wanted to see if you could find work that was not dependent upon this locality. You were curious also as to whether or not this kind of commercial art could pay off, and yet be held in check.
All you wanted was the opportunity, once again you see, to decide whether or not you could use commercial art for your own purposes, and you created the opportunity for trial. Now, simply write this down. S. Period. C. Period. These are capitals. An office on 42nd street in New York City. A man with short gray hair, somewhat portly, but with a boyish-type face. He could end up as a Dutch uncle, as you say, if you continue with this sort of endeavor.