“Seth material” search engine (Jane Roberts)

(Jane began speaking in trance at a very slow pace; many of her pauses were relatively long; she sat with a hand raised to her closed eyes.)

(Pause, long.) We find a nervous situation in the hip area. The recommendations I gave the other evening still strongly apply, and they have not been followed. Those recommendations represent steps that will lead to the disappearance of all symptoms. Otherwise, one disappears to be replaced by another.

(Long pause at 9:06. See the 293rd session.)

The energy must be directed toward the personality’s main work, the two books at hand, if the personality is to progress along its chosen lines. (Long pause.) The inner conflict, you see, appears in imbalances now within the system, where sets of muscles (pause) battle with other sets: this setup, the nervous hip disorders. The recommendations I gave, faithfully followed, will completely cure the system. Half measures will not work.

(Pause at 9:11.) A charade of sorts. Could this be a night club act? I do not know. A table beside them. A man in a dark suit stands up. Something strange about the suit, as if it is the only dark-colored one close by, at least.

A connection with M I C H, or Michigan. Have they met someone from there? A couple. Five people. (Pause. Jane spoke with many pauses.) A 4 7 5, or 1475. Bill of some kind, connected with an item.

A twist or something twisted. 7 o’clock and dinner where there are many boats close by. Some of these sailboats. (Pause.) A waitress with some mark visible on the arm. A dark mark or bruise perhaps, (pause) or this could be a patch of dark freckles. But very noticeable; or a scar.

(Jane’s pace had picked up somewhat as break approached, and she resumed in this new manner, though still with pauses, at 9:35.)

Red globular objects there, and another language. (Pause.)

I pick up one two five again here, and I believe our friend the cat lover (Peggy Gallagher) enters the shop, and that the ensemble is in the window. (Pause.) La Rue (my interpretation), I do not know, a street, or does she rue having entered the shop, you see. The street having to do with flowers, this particular street. Flowers in the name perhaps. And with a traffic problem in the heart of a town, with a crystal connection.

Metal connected with the statue (pause) and it seems a modern street light very close nearby. (Pause.) Connected with this, very dim here: Concordiant. (Pause; my interpretation; her eyes closed, Jane attempted to write in the air with a finger the words she tried to pronounce.) De, I believe, seven—Savrantinos (halting pronunciation) I said concordi—Concordiat de Savrantino.

Date. We are still trying for dates, you see. Sixteen eight three. Two, 1724, 1721. San Josius (my interpretation) san, S A N…. (Pause.)

A queen who dies on Friday in another land, had something to do with the battle. (Pause.) The hero, represented in a statue, had once been a cobbler, and came from a place that sounds like Guatemala, though this is not precise. The name is like this: San Guatama? (My interpretation.) San Guatama? (Pause.) And had two brothers. One brother working against him in these politics.

Now. This statue, with the row houses to the left and the street light: Following around the curve to the left, you run into a better-sectioned area, up a hill on a broad street now. (Pause, eyes closed. Later Jane was to say she was seeing this within, while yet being aware of still sitting in her chair.) Then the street curves again to the left, and beneath it are rocks—that is, a rocky ledge down to the sea, I believe.