“Seth material” search engine (Jane Roberts)

(Jane resumed after a break, and her trance deepened considerably. Later she said it was her deepest trance ever. Jane began to speak in a halting manner, her voice dwindled, and she called my name as if in supplication. She lay on the floor on her back. She called me once again; as I went to her she burst into tears; her crying was strong and highly charged; it seemed obvious she was responding emotionally to an experience of Barbara’s of an early age; Jane seemed to have attained a state beyond words. It took some time for her to come out of the trance, with what little help I could offer.

(Jane was considerably frightened by this experience, since it was totally unexpected and we were not prepared. I was resentful to some extent, feeling we were on display in some manner. Jane told me that toward the end of the experience she felt as though she were in a deep pit with smooth sides. She had no images all evening.

Do you have an envelope for me?

(At 9:59 Jane took the envelope for our 71st experiment from me without opening her eyes. She held it to her forehead and paused but briefly.)

(“Six plus one.” Bill Gallagher’s birthday is on July 1—six plus one for a total of seven. The poem used as object was written by Jane and me for the birthday occasion which occurred on July 1.

(“I have a stable or horse connection.” This is another instance where Seth verifies our own interpretation. Jane very nearly did not mention her idea here, thinking at first it was too “far-out.” She finally told me that when she first looked at the envelope object during break, she read my penciled word “Man-a-me,” to the right of the poem used as object, as “Man-O-War,” which is the name of a very famous race horse. It is incidentally the only horse’s name that Jane knows, she said.