1 result for (book:tes7 AND session:288 AND stemmed:garden)
6/96 (6%)
birthday
poem
cake
wavering
swirling
[... 59 paragraphs ...]
(“The impression of something swirling about, as leaves in a wind.” Our interpretation here was that the swirling and leaves data referred to the mention of a garden in the poem used as object. See page 51. This may be correct. Also according to Seth after break however, the swirling was to have led Jane to frosting. The birthday cake we gave Bill Gallagher on July 1st was frosted. The poem used as object was written for this occasion.
[... 2 paragraphs ...]
(“A missionary connection.” We think this very good data. Bill Gallagher’s facetious term for the local newspaper office, where he also works, is the Garden of Gethsemane—hence such religious connections in the poem used as object. Also, Seth’s longstanding term of affection for Bill is “The Jesuit,” and he so calls Bill in the session tonight. See page 54.
[... 6 paragraphs ...]
(“A description, perhaps of a house or a building.” This is very good. As explained on the last page, Bill Gallagher calls his place of employment, the newspaper office, the “Garden of Gethsemane.” As referred to in the poem used as object. See page 51.
[... 7 paragraphs ...]
(“To do with a fall, or a seeing something through—passing through it completely, you see.” We saw no connections.) Later note by Rob: The Garden of Eden-the “Fall?”
[... 3 paragraphs ...]
(“A connection with woods.” Our own interpretation here is that woods refers to the literal Biblical Garden of Gethsemane, which is spoofed in the poem used as object. Jane says the actual garden was not a formal garden, a cultivated type, but rather contained olive trees, etc., and much growth of this kind. Seth’s blanket endorsement after break implies, again, that this is the correct interpretation.
[... 1 paragraph ...]
(“Connection with a leaf or autumn.” See the data on page 55. As then, we think the leaf data here refers to the garden mentioned in the poem used as object. But also we think the autumn data here grows out of the swirling data on page 55, and Seth’s attempt to get Jane to give voice to frosting. The autumn data here could have grown out of the interpretation on Jane’s part of Seth’s frosting impression.
[... 11 paragraphs ...]
