“Seth material” search engine (Jane Roberts)

(Jane resumed after a break, and her trance deepened considerably. Later she said it was her deepest trance ever. Jane began to speak in a halting manner, her voice dwindled, and she called my name as if in supplication. She lay on the floor on her back. She called me once again; as I went to her she burst into tears; her crying was strong and highly charged; it seemed obvious she was responding emotionally to an experience of Barbara’s of an early age; Jane seemed to have attained a state beyond words. It took some time for her to come out of the trance, with what little help I could offer.

The initial perceptions were picked up by the inner senses. A journey through time and space was involved. The medium through which Ruburt traveled was the emotional charge thrown out by the girl.

Now, to avoid confusion, the girl is not a medium as, say, Ruburt is, according to your use of the term. I dislike the term. But the medium through which Ruburt traveled was the electrical and electromagnetic medium sent out by the girl’s highly-charged emotional condition.

There was also a triangle formed by you, Ruburt and the girl, highly charged on a subconscious level, that added to the psychological climate. The Jesuit (Bill Gallagher) and the cat lover (Peggy G.) were balancing factors. All of these conditions, these balancing and propelling factors, were necessary for Ruburt’s first realization of this particular kind.

(Seth gave us a little help after break, and although this was brief it filled in a good deal on some of the data we had been unsure of. For convenience’s sake it is better to include Seth’s later data along with our own interpretations, made during break, since emotional charges explain much concerning the material. For more detailed information on how the emotional charges influence Seth’s envelope data, see the 286th session.

(“Small wavering blue lines. Something written by an old hand perhaps, with thin wavering lines.” Jane’s corrections on the object were made with a blue pen, which appears quite dark on the yellow paper upon which the poem was typed. Her corrections are small, but not wavering. The old and wavering data puzzled us, and we missed out here because we did not interpret the emotional charges involved, as Seth did.

(The specific affair Peg described that evening concerned the arrest of the doctor’s wife on a drunken driving charge, speeding, etc.