“Seth material” search engine (Jane Roberts)

When you travel, so to speak, beyond a certain range of intensities, even pseudoobjects must vanish. They exist in a cluster about, and connected to, your own system. The lack of even pseudoobjects obviously means that you have gone beyond your camouflage system. If it were possible for you, you would then travel through a range of intensities in which no camouflage existed. Then you would encounter the pseudocamouflage, you see, of the next system. This would or would not be physical matter, according to the system.

Now during some projections you may be aware of nothing as far as surroundings are concerned. There will be only the mobility of your own consciousness. If this ever occurs you will be traveling through such an uncamouflaged area. You could then expect to encounter next a more differentiated environment, that seemed to become more clear as you progressed toward the heart of another system.

The tangerine then would be compared to a group of many systems, and yet it would represent in itself but one small portion of an unperceived whole. The tangerine would be but one segment, you see, of a larger system. You can see then why projections would lead you in a far different direction from your normal linear sort of travel, and why time as you know it would be meaningless.

The traveler must leave his own camouflage paraphernalia completely behind however, or he will go nowhere. It is possible, theoretically, to travel to any system in this manner, and bypass others you see. Such a traveler would not age physically. His physical body would be in a suspended state. The traveling consciousness would lose all physical conception of time however. A very few individuals have traveled in this manner to any extensive degree. Most of the knowledge gained escapes the physical organism however, for the experiences could not be translated by the physical brain.

Now again, theoretically, it is possible to travel under such circumstances and perceive experiences that would ordinarily take you centuries, physically speaking, and in only a flash of your time.

True motion has absolutely nothing to do with space. The only real motion is that of the traveling consciousness. (Long pause, eyes closed; one minute.) Spatially, a painting is flat. Its reality leaps out from its physical dimensions, and completely escapes them. (Long pause.) The depths within the painting do not physically exist, yet they are perceived.

This is coded, shielded, even from his own ego. Each painting that is successful forces the consciousness to travel into it, in ways that I will more thoroughly explain.