“Seth material” search engine (Jane Roberts)

As a rule there is little communication, you see, through those uncamouflaged or undifferentiated areas. They act in fact as boundaries, even while they represent the basic stuff of which all camouflage is composed. Without the camouflage, you see, you would perceive nothing using the physical senses.

The tangerine then would be compared to a group of many systems, and yet it would represent in itself but one small portion of an unperceived whole. The tangerine would be but one segment, you see, of a larger system. You can see then why projections would lead you in a far different direction from your normal linear sort of travel, and why time as you know it would be meaningless.

The undifferentiated layers move out like spirals then, through all reality. Little resistance is encountered with them. They represent inner roads that connect systems as well as divide them.

Now, each brush stroke of a painting represents concentrated experience, and compressed perceptions. In a good painting these almost explode when perceived by the lively consciousness of another. The observer is washed over by intensities. Again, experience that has nothing to do with physical time. The same can be said for a successful poem, though here I speak of Ruburt’s knowledge of poetry, rather than of any of my own.