1 result for (book:tes7 AND session:287 AND stemmed:observ)

▼ TES7 Session 287 September 21, 1966 2/48 (4%) pseudoobjects tangerine uncamouflaged undifferentiated camouflage
– The Early Sessions: Book 7 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 287 September 21, 1966 9 PM Wednesday

[... 32 paragraphs ...]

Now, each brush stroke of a painting represents concentrated experience, and compressed perceptions. In a good painting these almost explode when perceived by the lively consciousness of another. The observer is washed over by intensities. Again, experience that has nothing to do with physical time. The same can be said for a successful poem, though here I speak of Ruburt’s knowledge of poetry, rather than of any of my own.

The excellent work of art recreates for the observer inner experience of his own also, of which he has perhaps never been aware. As you know, paintings have motion, yet the painting itself does not move. This idea perhaps will help you to understand experience in terms of intensity, and projections, or the movement of consciousness, without necessarily any involvement with space.

[... 13 paragraphs ...]

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