“Seth material” search engine (Jane Roberts)

There is a constant translation of inner reality into objects in the waking state, and a constant translation of ideas into pseudoobjects in the dreaming state. Within a certain portion of dream reality, ideas or thoughts can be translated into pseudoobjects, and transported. This can only happen within certain ranges of intensities. This is what happens when you adopt a pseudoform in projections, though I am simplifying this considerably.

The sentence is really meaningless however, because the physical senses themselves are camouflage, you see. There would be nothing to translate. It is only use of the inner senses that will allow you to perceive under these circumstances. Theoretically, if you can bridge the gap between various reincarnations, then you can bridge the gap between your system and another.

The undifferentiated layers move out like spirals then, through all reality. Little resistance is encountered with them. They represent inner roads that connect systems as well as divide them.

The excellent work of art recreates for the observer inner experience of his own also, of which he has perhaps never been aware. As you know, paintings have motion, yet the painting itself does not move. This idea perhaps will help you to understand experience in terms of intensity, and projections, or the movement of consciousness, without necessarily any involvement with space.

Your physical time is something like this. There is a strong connection here I have been trying to get through, but it is for now too difficult for Ruburt to catch. All of the experience an artist has gained is in any given painting, not physically perceived, but strongly perceived by the inner senses.