“Seth material” search engine (Jane Roberts)

You will sometimes automatically translate this reality into physical terms. Such images will be hallucinatory, but it may take a while for you to distinguish their real nature. It must be understood however here that all physical objects are also hallucinatory. They may be called mass hallucinations.

You would then encounter the heart of the camouflage area. The completely uncamouflaged areas at the outer edges of the various systems should remind you of the undifferentiated areas between various life cycles in the subconscious. This is no coincidence, as this general setup occurs in all realities.

As a rule there is little communication, you see, through those uncamouflaged or undifferentiated areas. They act in fact as boundaries, even while they represent the basic stuff of which all camouflage is composed. Without the camouflage, you see, you would perceive nothing using the physical senses.

Once more, the undifferentiated layers or areas are composed of the vitality that forms the camouflage of all systems. It is not therefore—that is, such an area is not, therefore—a separate thing in itself, but simply a portion of vitality that contains no camouflage, and is therefore again unrecognizable to those within any given system.

One point first. There are other systems all about, and within your own.

The undifferentiated layers move out like spirals then, through all reality. Little resistance is encountered with them. They represent inner roads that connect systems as well as divide them.

The traveler must leave his own camouflage paraphernalia completely behind however, or he will go nowhere. It is possible, theoretically, to travel to any system in this manner, and bypass others you see. Such a traveler would not age physically. His physical body would be in a suspended state. The traveling consciousness would lose all physical conception of time however. A very few individuals have traveled in this manner to any extensive degree. Most of the knowledge gained escapes the physical organism however, for the experiences could not be translated by the physical brain.

Your physical time is something like this. There is a strong connection here I have been trying to get through, but it is for now too difficult for Ruburt to catch. All of the experience an artist has gained is in any given painting, not physically perceived, but strongly perceived by the inner senses.

(Jane said Seth had been trying to get through concepts that were difficult. She had an image of spirals, for instance, all interlocked without being regular, that concerned the material on paintings and time, but she couldn’t get it clearly nor even describe it adequately. There were images within this concept that were something like an accordion, Jane said, having to do with time opening and closing, etc.