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TES7 Session 285 September 12, 1966 9/130 (7%) Lodico abstracts geometric Colucci assumptions
– The Early Sessions: Book 7 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 285 September 12, 1966 9 PM Monday

[... 62 paragraphs ...]

(Seth helps out with a few connections after break, but in the meantime Jane and I had made our own. We checked up on one we thought correct after the session, and instead of verifying the data ended up confused, as will be explained.

[... 4 paragraphs ...]

(Four specific paintings were discussed between us, and I priced each one with Jane present, so that she could quote prices to the doctor should he call while I was away. This data is reinforced by the next data, and vice versa.

[... 5 paragraphs ...]

(“Some distant connection with an opera, opera house or music.” This baffled us at first. We missed the actual connection, and Seth helps out later. At this time Jane said one of the abstracts being offered to the doctor reminds her of music. She was going to tell me this before the session, but did not.

[... 22 paragraphs ...]

(It is one of the abstracts referred to in the letter used as object tonight. Note the sharp shapes. These shapes float in the center of the painting. In addition the painting is done in various shades of brown, from golden yellow ochre to deep brown.

[... 2 paragraphs ...]

(As stated, neither of us has met Dr. Lodico, and up to and including the time of this session did not know where he lived, although we had his address. All evening however, since writing the letter used as object, I had pictured a certain medical building in our neighborhood as probably the site of Dr. Lodico’s office. The building has a flat roof, is one story high, is of red (orange?) wood that looks lighter in sunlight, and has a series of shingles or name plates hanging outside that might be called banners. I also thought I remembered cast iron grill or scroll works as decoration on the building.

[... 6 paragraphs ...]

(2nd Question: Can you say something more about geometric? “The shapes perhaps cubes. Gold colored, and partially in shadow. This reminds Ruburt of Jungle Gyms at a playground.” See the sketch of the abstract on page 39. As stated, this is one of the group of paintings written about in the letter used as object. This particular painting has strong cubist leanings. Some of the shapes in it are based on cubes. It is painted in browns, ochres, and golden tones. Shadows play a prominent role in it also. And Jane said the design of the painting, with its interlocking angular shapes and lines, reminds her of a Jungle Gym at a playground.

[... 4 paragraphs ...]

(The photo idea however is quite legitimate, since a photo can be related to a painting in many ways. The areas on all of the abstracts are of course filled in, and also the abstract foundation of the paintings relates them to the idea of buildings. In fact a friend interpreted one of them as being a painting of buildings recently. Jane said Seth might not be able to very easily distinguish between the emotional charges connected to a photo and a painting; they might appear much alike to his perceptions. This is even more apparent in the next data, which I break into two parts.

[... 1 paragraph ...]

(7th Question continued: “The object I believe came through the mail, whether or not it is a photograph.” Very good, if not one hundred percent correct. The object is of course a letter; it is destined to go through the mail tomorrow. A related thought concerns the letter I had from Dr. Lodico, and mentioned earlier—this of course has already gone through the mail, on August 31.

[... 8 paragraphs ...]

The October connection had to do with the painting already purchased. I believe the music referred to Ruburt’s subjective feelings about one painting (we had hesitated to credit this when we interpreted the data), and also to some musical leanings on the dentist’s part, or his family.

[... 6 paragraphs ...]

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