“Seth material” search engine (Jane Roberts)

Now. Do you have an envelope for me?

(Her eyes still closed, Jane took the envelope from me for our 70th experiment, and held it up to her forehead with her right hand. It was 10:01. Her pace was good, and grew faster as the experiment progressed.)

These squares may be filled in; as buildings in a photograph would be picked up by me first as shapes, you see.

(“Connection with October, and four, or perhaps 64.” Without seeing it to make absolutely sure, Jane and I are reasonably sure that the abstract Dr. Lodico has purchased from me was painted in October, 1964. I am sure I did the painting at least two years ago. I have the habit of dating my paintings, so will be able to check this data when I visit the doctor’s office. If no notice is added to this data at a later date, it can be taken as correct.

(“Some distant connection with an opera, opera house or music.” This baffled us at first. We missed the actual connection, and Seth helps out later. At this time Jane said one of the abstracts being offered to the doctor reminds her of music. She was going to tell me this before the session, but did not.

(The group of people data is too vague. It may refer to a recent gathering of friends here at the Water Street address, about two weeks ago. Marie and Andy Colucci were present, and at this gathering Marie told me about Dr. Lodico being interested in my paintings.

(“A disturbance in the afternoon.” Possibly a reference to my invitation to the doctor, on the object, to visit us at any time to see the paintings I offer. I say afternoons or evenings might be best. Technically an afternoon visit on his part would interrupt the working hours of Jane and me, but we would not really call it a disturbance since we want to sell the paintings.

(“And with a postcard. Perhaps with a water scene on it, or from a location by water.” I specifically mention a postcard in the letter used as object. The water data arises because if the doctor does send me a card, it will be addressed to Water Street.

(Jane and I considered two possibilities. Since I had the medical building with the flat roof strongly in mind during the evening, Seth could have picked this up telepathically from me and used it for data. Or the proximity of this building to Dr. Lodico’s actual office could have resulted in confused impressions which Jane gave voice to. The two buildings are no more than fifty feet apart in physical space, being directly across the street from each other.

(6th Questions: How about colors? “These squares may be filled in; as buildings in a photograph would be picked up by me first as shapes, you see.” As well as answering the question in an oblique way, Seth appears to be still considering the geometric data. Note that the photograph idea persists, once brought up through personal association.

The two men and the woman were yourself (meaning me) the doctor and your friend Marie Colucci. The seven letters and the A did represent Andy Colucci.

(See pages 39 and 40, explaining our confusion over this data. Seth’s answer, above, contributed to the confusion, and is in error. The next session has by now been held. It concerns a discussion by Seth of the envelope experiments. He discusses this particular building data and the inaccurate answer in a most interesting manner. He also confirms our idea that Jane picked up the building data from me telepathically.)