“Seth material” search engine (Jane Roberts)

I am however directing this particular discussion toward Ruburt. As far as his overall personality structure is concerned, creativity is a must. Without it he does not feel secure. His identity is strongly connected with his creativity. The financial success of his book is extremely important to you both, incidentally, on a conscious egotistical level.

The main energy and concern therefore should be in his work. Inner broodings over whether or not his book will sell well do no good, and drain away energy. All of this reflects itself in the physical condition.

If these persist for this period, you see, only then can they be considered in this light. For if they endure for this time they will almost certainly give rise to physical symptoms. Readjustment does not lie, in his particular case, in the present, with soaking his foot for example; but with a return to some definite poetry schedule, to finishing one book now at a time, to renewing the dream suggestions which he has discarded. These will take care of the physical symptoms.

(See the tracings of the object on page 16. The object was a postcard mailed to us by Barbara Ingold from Ft. Belvoir, VA, on July 12,1966. It is of a display called Story Book Land at Woodbridge, VA, and shows Mother Goose. Barbara lives in the downstairs apartment, beneath us.

(“That is, a formal affair or formal arrangement.” If this data is connected with the numbers above, we miss the connection. We believe the formal arrangement here refers to the layout of the display of Story Book Land at Woodbridge, VA. The copy on the back of the object in the upper left corner refers to “a beautiful woodland setting” of favorite storybook characters.

(“Two children.” We know of but one child involved with the object, Barbara’s 9-year-old daughter Lisa. Lisa accompanied Barbara on the trip to Virginia and Story Book Land. But see supplement, page 25.

(“A spectacular arrangement.” In view of Seth’s answer to the first question, this is a reference to Story Book Land. This also had been my mental interpretation as Jane gave the data, before we reached the question-and-answer session.

(“A wooded area.” In back of the statue of Mother Goose is a dense, dark green pine forest, as indicated on the tracing on page 16, as well as several trees nearer the foreground. As noted, the copy in the upper left hand corner on the back of the object mentions “a beautiful woodland setting.” Story Book Land is also in Woodbridge, VA.

(First Question: What is the spectacular arrangement you mentioned? “I am not sure. It may have to do with flowers.” This seems to pin the spectacular reference down to the postcard picture, since it shows the statue of Mother Goose in Story Book Land, surrounded by red and white flowers.

(As stated on page 21, Barbara did take her own daughter, Lisa, to visit Story Book Land, the subject of the postcard sent to us by Barbara, and used as the object in the 69th experiment. We now learned that Barbara had taken another child along also—for a total of two. The other child being one of Barbara’s sister’s in Ft. Belvoir.

(Regarding “Vases”, interpreted on page 23. Our interpretation may be a good one, but Barbara pointed out a better one. On the visit to Story Book Land with the two children, Barbara also visited the display for Ali Baba and the Forty Thieves. [The postcard used as object for the session showed Mother Goose.] The Ali Baba display was quite impressive, Barbara said; so much so that she took a picture of Gary, her sister’s young son, in one of the large jars or vases belonging to Ali Baba.

(Barbara had not told us about this. We did not know about the Ali Baba display at Story Book Land, and had no thought of linking up the “Vases” data with this. We have not seen the photo Barbara took of Gary in the giant vase or jar.)