“Seth material” search engine (Jane Roberts)

Then in here I enter a conversation with another girl about Louis Untermeyer. I begin to mimic him then realize that she is the one who is doing this, and talking about Untermeyer, not I, and I become confused and embarrassed and excuse myself for butting in.

I run ahead of the other girl, and around her, really hunting her down, yelling again dramatically and accusingly: “I ask myself, where are all my friends who were going to write no matter what, to work no matter what happened. Where are they all and now I work alone?" I almost chanted this, and more that I’ve forgotten. (I don’t think she wanted to hear and that I was making her listen on purpose, for her own good.) She ran, cringing, to hide. Friends gathered about her. One said, she’s in bad shape, or badly off, words to that effect. You’ve made things worse. But I said, “No, you can’t save a part of her (and sacrifice part) you have to save the poetry too.” And she did seem better. Friends comforted her. I said to some of them, “Do you know how to work the pendulum?" As I said this I knew that they did before they answered, yes. “Then check it out," I said and they agreed.