1 result for (book:tes6 AND session:279 AND stemmed:shape)

TES6 Session 279 August 15, 1966 10/137 (7%) card greeting Tunkhannock monumental envelope
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 279 August 15, 1966 9 PM Monday

[... 13 paragraphs ...]

Your own thoughts have a reality that you do not understand, and their own kind of form, or psychic content, and this content exists not as pure energy, but as energy with form and shape. And when it is perceived by you, then it has bulk. The bulk is the result of your own perception. The bulk, or mass, is perceived whether or not the ideas have ever been materialized as physical matter. Whenever you come in contact with a particular idea form, and this will only happen in projections, then you will automatically perceive that form with bulk or mass.

[... 2 paragraphs ...]

With the full use of the inner senses, however, it is theoretically possible to perceive all the shapes and forms that have ever been, or will ever be, adopted by the atoms and molecules that compose the particular chair. This kind of experience is beyond the power of drugs. It is true to say that in one sense both you and Ruburt are a part of the table and the chair, and the room in which they sit.

[... 33 paragraphs ...]

I N C again, and perhaps 1418. Something sent through the mail in an envelope. Long and narrow in shape.

[... 7 paragraphs ...]

Ruburt thinks of your mother’s sewing room. To me a reference to some shape, dark and narrow, with the feeling of motion involved, as a falling through or a falling out. Downward motion, with some speed.

[... 2 paragraphs ...]

(“What’s the shape of the object?”

[... 5 paragraphs ...]

Four boxes, I believe. Box shapes.

[... 38 paragraphs ...]

(“Something sent through the mail in an envelope. Long and narrow in shape.” An obvious reference to the greeting card.

[... 7 paragraphs ...]

(2nd Question: “Can you elaborate upon the closet data?” “Ruburt thinks of your mother’s sewing room. To me a reference to some shape, dark and narrow, with the feeling of motion involved, as a falling through or a falling out. Downward motion, with some speed.” The sewing room of my mother is a legitimate connection. We aren’t so sure of Seth’s interpretation, unless it pertains to the motion of the sewing machine. Could the dark and narrow, etc., be another grave or illness reference?

[... 1 paragraph ...]

(4th Question: “What’s the shape of the object?” “Roughly rectangular, in itself.” Correct. The envelope object is rectangular. So is the greeting card.

[... 1 paragraph ...]

(6th Question: “How about that number four?” “Four boxes, I believe. Box shapes.” This still didn’t help us.

[... 17 paragraphs ...]

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