“Seth material” search engine (Jane Roberts)

With the full use of the inner senses, however, it is theoretically possible to perceive all the shapes and forms that have ever been, or will ever be, adopted by the atoms and molecules that compose the particular chair. This kind of experience is beyond the power of drugs. It is true to say that in one sense both you and Ruburt are a part of the table and the chair, and the room in which they sit.

The number 4. Several events happening together, or a series of objects strung together on the object. (Pause.) This leading Ruburt to think of Christmas. (Gesture with envelope.)

Ruburt thinks of your mother’s sewing room. To me a reference to some shape, dark and narrow, with the feeling of motion involved, as a falling through or a falling out. Downward motion, with some speed.

(2nd Question: “Can you elaborate upon the closet data?” “Ruburt thinks of your mother’s sewing room. To me a reference to some shape, dark and narrow, with the feeling of motion involved, as a falling through or a falling out. Downward motion, with some speed.” The sewing room of my mother is a legitimate connection. We aren’t so sure of Seth’s interpretation, unless it pertains to the motion of the sewing machine. Could the dark and narrow, etc., be another grave or illness reference?

The one impression of which Ruburt was aware was a greeting card—quite legitimate, but it was meant only to lead him further.

It was a very distant connection, and not very useful at all. Ruburt camped with his parent you see at Ensenada, and your parents’ camp. There were two illnesses however referred to, the severe one, and your own father’s. The illness of both men gave a strong impression and that is all.