1 result for (book:tes6 AND session:279 AND stemmed:do)

TES6 Session 279 August 15, 1966 10/137 (7%) card greeting Tunkhannock monumental envelope
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 279 August 15, 1966 9 PM Monday

[... 2 paragraphs ...]

(The 67th envelope object was a penciled note written on one side of a piece of white paper by our neighbor, Leonard Yaudes. See page 319. The folded note shown below the object is my own, made at the time I discovered Leonard’s note stuck in our door on Sunday morning. Thus Leonard wrote his note in answer to a phone call by my mother at 10:05 Sunday morning, August 14. We do not have a phone.

[... 10 paragraphs ...]

Your own thoughts have a reality that you do not understand, and their own kind of form, or psychic content, and this content exists not as pure energy, but as energy with form and shape. And when it is perceived by you, then it has bulk. The bulk is the result of your own perception. The bulk, or mass, is perceived whether or not the ideas have ever been materialized as physical matter. Whenever you come in contact with a particular idea form, and this will only happen in projections, then you will automatically perceive that form with bulk or mass.

[... 12 paragraphs ...]

For the benefit of your fingers, we should perhaps take a break, though we are doing very well. We will leave our friend as he is.

[... 3 paragraphs ...]

Now, you see, when you paint a picture you use your physical body as a tool to create your inner idea. When you create physical matter you are not aware of doing so, but you affect energy directly in such an execution, your own attention being focused primarily in the physical system.

You can only do so much in your painting. You can only create it as a reality in so many dimensions. You cannot appreciate, for that matter, all the systems of reality in which the painting does have reality. This is a very simple analogy: However, in some aspects a projection to another system could be likened to a situation in which you entered the landscape of one of your own paintings.

[... 4 paragraphs ...]

Now. Do you have an envelope?

[... 1 paragraph ...]

Do you want to rest your hand before we begin?

[... 4 paragraphs ...]

A connection with a closet. I do not understand as yet to what this particular image refers.

[... 8 paragraphs ...]

Do you have any questions?

[... 35 paragraphs ...]

(“A connection with a closet. I do not understand as yet to what this particular image refers.” This is legitimate data and is explained when Seth answers the second question.

[... 47 paragraphs ...]

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