“Seth material” search engine (Jane Roberts)

(“A small square.” See the back of the object. Just to the right and above of the circular postmark is a geometrical triangular symbol. This small symbol is topped by a very small square, with a dot in it. The square about 1/16” on a side.

(“A geometrical figure.” Again, the triangular design, topped by the square containing a dot, just to the right and above the postmark on back of the card. Also—are circles, regarding the postmark itself, geometrical figures? Such a definition also includes the rectangular postage stamp.

(“A small circular object with something on top of it, perhaps like a stem.” See the tracings on page 309. The postmark on the back of the object is of course small and circular. The small triangular design mentioned earlier is just above the postmark, to the right, and is of a line, or stemlike, design. The triangular design does not quite touch the postmark, but the two words just beneath it, Natural Color, do run into the postmark, uniting the two designs.

(“1963 and 1966.” The 1966 appears within the postmark, as well as the date July 23,1966, in Leonard’s handwriting. We are not sure of 1963. We know Leonard for instance has made other trips to Maine and other New England states in recent years, and could have done so perhaps in 1963. There may be other connections.

(“Small squares, not in line.” It might be said the abstract shapes of the letters in Portland, Maine, within the circular postmark, are angular. Of course the letters are not in line, being confined within the circle shape. There could be other connections. The rest of the copy on the back of the postcard, whether printed or handwritten, is in line.

(“A design like a flower or stem.” Again, the small triangular design on the back of the object, just above and to the right of the circular postmark. We believe the stem data, mentioned by Seth earlier, led Jane to the flower mention here.

(Question: “What’s that about a geometrical figure?” “No. An equality. A balance. A balanced arrangement.” This data came after I had to repeat the question because of traffic noise. See the interpretation of the geometrical data page 313. All of the geometrical figures on the back of the object are balanced—the circular postmark, the small triangle and square just above and to the right of the postmark, and the rectangle of the postage stamp.

(Question: “What’s the color red connected to?” “I believe a circular object, though perhaps a dress.” As far as the object is concerned, it could be said the circular postmark is connected to the reddish postage stamp via the typical wavy lines of the cancellation.