“Seth material” search engine (Jane Roberts)

(The 66th envelope object was a postcard mailed to us by our neighbor across the hall, Leonard Yaudes, from Portland, Maine, on July 23,1966. I sealed it in the usual double envelopes after placing it between two pieces of Bristol.

(“Fur.” I wrote this as fur, rather than fir, when Jane gave it, not knowing which she meant. I saw no connection, but as soon as she saw the scene on the postcard used as object, Jane said fur had been a reference to the white foamy water spray and surf. To her it had a definite resemblance to the white thick fur of our long-haired cat, Willy. As soon as Jane mentioned this resemblance I agreed with her.

(There are actually 6 personal names on the back of the object: Leonard, John, Jane and myself, Lincoln, and the photographer who took the pictures used on the front of the postcard, Don Sieburg.

(“An oval shape or scene.” See the tracings on page 309. The scene on the front of the postcard consists almost entirely of oval components in the abstract: The sea spray, the clouds, even the rocks in the foreground. We believe this applies since Seth used the word scene in the data.

(“Small squares, not in line.” It might be said the abstract shapes of the letters in Portland, Maine, within the circular postmark, are angular. Of course the letters are not in line, being confined within the circle shape. There could be other connections. The rest of the copy on the back of the postcard, whether printed or handwritten, is in line.

(“Connection with a letter or note,” See the tracings on page 309. The object, a postcard, bears a note to Jane and me.