“Seth material” search engine (Jane Roberts)

(See the tracings of the object on page 309. Pertinent data connected to it will be brought out as we list our connections. We were able to make some, and Seth did not help us out after break.

(“A small circular object with something on top of it, perhaps like a stem.” See the tracings on page 309. The postmark on the back of the object is of course small and circular. The small triangular design mentioned earlier is just above the postmark, to the right, and is of a line, or stemlike, design. The triangular design does not quite touch the postmark, but the two words just beneath it, Natural Color, do run into the postmark, uniting the two designs.

(“An oval shape or scene.” See the tracings on page 309. The scene on the front of the postcard consists almost entirely of oval components in the abstract: The sea spray, the clouds, even the rocks in the foreground. We believe this applies since Seth used the word scene in the data.

(“Connection with a letter or note,” See the tracings on page 309. The object, a postcard, bears a note to Jane and me.

(First Question: “Can you be more specific about the three people?” “For some reason the impression is chopped off, so that only the top portion is seen. Heads.” See the data under three people on page 314. The data here, and consequently the answer we give, being the same as the other given earlier.

(Question: “What’s that about a geometrical figure?” “No. An equality. A balance. A balanced arrangement.” This data came after I had to repeat the question because of traffic noise. See the interpretation of the geometrical data page 313. All of the geometrical figures on the back of the object are balanced—the circular postmark, the small triangle and square just above and to the right of the postmark, and the rectangle of the postage stamp.

(Question: “Can you elaborate on a turnabout?” “Having to do with a change of plan. An event not taking place when originally planned. Put off.” See the interpretation of the turnabout data on page 315. The above adds no more to that interpretation. Note that Seth’s answers to the questions this evening seem to add little that is more specific to the data originally given.

(“And small dark lettering, perhaps I N C.” Very good indeed. See the tracings of the object on page 309. At bottom center on the back of the object, in small capital lettering, is the logo and address of: DP—Dexter Press, Inc., West Nyack, New York. Printed in a dark blue.