1 result for (book:tes6 AND session:276 AND stemmed:portrait)
[... 80 paragraphs ...]
(The death connection enters in because the bill was filled out by the worker at the lumberyard who obtained and cut the Masonite so it would fit into our station wagon. The worker—whose name we do not know, but could easily learn—became quite talkative when he learned I planned to use the Masonite as support for paintings. He described to us in some detail how he had a portrait of himself drawn during the Second World War, when he was overseas. War…death. The conversation was unusual in that the worker explained how the artist drew his face as though it was symmetrical, whereas in reality it is quite asymmetrical, with an impaired eye.
[... 10 paragraphs ...]
(“A tournament, perhaps symbolic. A crossing, as of swords.” Jane was sure this referred to the story told us by the worker at the lumberyard, who procured the Masonite for me, concerning his war service, his portrait, etc., done while he was in the service. The worker made out the bill which served as object.
[... 7 paragraphs ...]
(“An oval shape, or eye shape—that is, this kind of an eye, you see, inside of a rectangle or triangle.” Jane pointed to her own eye while giving this data. It is very good. As stated earlier the worker at the lumberyard who procured the Masonite for me, then made out the bill used as object, had a bad eye. It will be recalled that the worker described a portrait drawn of him while he was in the service; and that the artist making the portrait drew him with a symmetrical face, whereas his face is decidedly not symmetrical.
[... 5 paragraphs ...]
(“Connection with a photograph, I believe, or other object with triangular corners that photographs usually fit into in an album.” As stated earlier the worker at the lumberyard described a portrait drawn of him overseas. This basic information perhaps led to the above data, but we believe the following is more likely correct.
[... 12 paragraphs ...]