who

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TES6 Session 276 August 1, 1966 5/119 (4%) Masonite lumberyard Wellsburg worker Glen
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 276 August 1, 1966 9 PM Monday

[... 23 paragraphs ...]

You chose, both of you, the two people who are the most psychically gifted of your acquaintance, and you called them here. You called them because the illness of the animal served to tell you that some extra reinforcement would be helpful. The whole affair was psychically logical, and followed inner patterns that aided all of you.

[... 56 paragraphs ...]

(The death connection enters in because the bill was filled out by the worker at the lumberyard who obtained and cut the Masonite so it would fit into our station wagon. The worker—whose name we do not know, but could easily learn—became quite talkative when he learned I planned to use the Masonite as support for paintings. He described to us in some detail how he had a portrait of himself drawn during the Second World War, when he was overseas. War…death. The conversation was unusual in that the worker explained how the artist drew his face as though it was symmetrical, whereas in reality it is quite asymmetrical, with an impaired eye.

[... 8 paragraphs ...]

(“A word with M again, perhaps this time a name or initial.” Ruburt thinks of Marie or Mary. It is a large M, and belongs with a name. This seems very vivid in itself, but it could simply stand for Miss So-and-So, you see, or Mrs. A woman connection.” Seth here evidently refers to a different name this time than that shown on the bill, Glenn M. Schuyler. Jane is subjectively sure Seth was getting at the name of Mrs. Marilyn Wilbur, who lives with her husband Don in Wellsburg; the Wilburs are good friends of ours. The Marie or Mary is very suggestive of Marilyn.

[... 1 paragraph ...]

(“A tournament, perhaps symbolic. A crossing, as of swords.” Jane was sure this referred to the story told us by the worker at the lumberyard, who procured the Masonite for me, concerning his war service, his portrait, etc., done while he was in the service. The worker made out the bill which served as object.

[... 7 paragraphs ...]

(“An oval shape, or eye shape—that is, this kind of an eye, you see, inside of a rectangle or triangle.” Jane pointed to her own eye while giving this data. It is very good. As stated earlier the worker at the lumberyard who procured the Masonite for me, then made out the bill used as object, had a bad eye. It will be recalled that the worker described a portrait drawn of him while he was in the service; and that the artist making the portrait drew him with a symmetrical face, whereas his face is decidedly not symmetrical.

[... 18 paragraphs ...]

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