now

1 result for (book:tes6 AND session:274 AND stemmed:now)

TES6 Session 274 July 20, 1966 20/72 (28%) chemical excess projections propelling asparagus
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 274 July 20, 1966 9 PM Wednesday

[... 4 paragraphs ...]

Now, good evening.

[... 5 paragraphs ...]

Now where the ego operates you will always find chemical repercussions; to some extent or another then the physical body will be involved. Deeper or less familiar portions of the self exist without a chemical manifestation. These usually take electromagnetic forms to some degree however.

Now certain chemical changes must come about in the physical organism before projection can occur. Were it not for these you would still be imprisoned within the corporeal image. You know that dreaming has definite chemical bases, that chemicals built up during periods of waking existence are released through dreams. Not only are they released but they form a propelling action that allows energy to flow in the opposite direction. As chemical reactions allow the body to utilize energy and form physical materializations, so the excess built up then becomes a propelling force, allowing action to flow in what you would term subjective directions.

Now this same chemical reaction must also occur, only more strongly, before a legitimate projection of the self from the physical organism can occur. This is one of the main reasons why such projections happen rarely. Usually, and without training, the chemical excess is used in the dreaming process. In periods of exuberant energy and well-being a more than normal amount of excess accumulates. This can trigger a projection.

[... 2 paragraphs ...]

Released they must be, or the organism would not survive. Periods of intense activity may also then generate this additional chemical propellant. Now. Although this necessary chemical fuel is generated through intense activity of a mental or psychic nature, it is released, making projections possible in alternating periods of quietude and rest.

[... 2 paragraphs ...]

(It was 9:29. Jane did not take a break. Her delivery was by now very animated and her eyes had begun opening often. The voice was just as strong as before, showing no signs of fatigue. Occasionally Jane sipped some wine and smoked a cigarette.)

There must be a disciplined focus of this propellant therefore, if projection is to be achieved. Now. Periods of heightened sexual activity of a strong and deep nature will help. However, periods of no sexual activity will also help. On the one hand the chemical excess is built up as a result of overintensity. On the other hand, and in the latter case, it is built up because psychic and sexual release has not been granted. Eggs and asparagus are helpful.

[... 1 paragraph ...]

Now I am speaking not only of legitimate projections, but of projections vivid enough to be recalled and recorded. Projections in other words in which the ego can take at least some small part. Spontaneous projections of which you are not aware occur frequently.

[... 4 paragraphs ...]

(Jane stopped speaking at 9:42 but did not come out of trance. This is the first such instance in the sessions. Her manner had been very active, her eyes open often, her voice strong. Now she sat without moving perceptibly, her eyes closed, for two minutes. I got up and moved around, then sat down again.

(“I’m ready now.” At 9:44.)

[... 4 paragraphs ...]

An almost automatic determination must be set up however if projections with conscious awareness are to be anything but rare oddities. With you both the problem is somewhat different than it might be with others. These chemical excesses are used up for one thing in your own creative work. You do this now automatically.

[... 7 paragraphs ...]

Now. There are definite chemical changes during projections. There are also electromagnetic changes that can be perceived with instruments. Certain electrical fields will also make themselves known under these conditions. The fields have always existed but they will only become apparent to physical instruments when they are being crossed. In other words, at the very act of projection.

[... 2 paragraphs ...]

Now this has to do with the electrical currents about the skin, and sweat on the body. Also with saline composition of the body at various times of the year.

[... 1 paragraph ...]

(“All right, we’ll take one now.”

(At 10:15 Jane stopped speaking once again, ad sat very quietly, as before. Her voice had been strong and clear throughout, varying little in strength through the session. Since she was still in trance I thought it voluntary, and that she must feel in excellent form this evening. Her eyes were now closed.)

[... 7 paragraphs ...]

Now I will give you both a break.

(Break at 10:29. Jane now came out of her trance for the first time since 9 PM. As far as we know this is by far the longest trance she has undergone. Nor was her emergence from it easy; she seemed to grope her way out of it slowly, eyes blinking with effort many times before they finally opened clearly.

[... 1 paragraph ...]

(She knew, she said, at once that the voice was strong and loud. From the moment the session began she was “within the voice,” as though wrapped in a cocoon. The voice swept her along as it has on a few occasions in the past. Nor did she know she would be kept in trance during breaks to rest my writing hand. She thought Seth did this to keep the session short, yet get lots of material through. She felt a sense of strangeness at break time because she didn’t leave trance, but was not worried, nor did she try to get out of trance. Jane said she now felt quite tired.

[... 5 paragraphs ...]

I intend to outline the steps involved in the various kinds of projections for you. And now good evening.

[... 4 paragraphs ...]

(Jane now felt very tired, whereas usually she doesn’t after a session.)

[... 2 paragraphs ...]

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