“Seth material” search engine (Jane Roberts)

Such experiences as projection will therefore involve you in extremely vivid movement and sensation. You may to some extent, and you should, use your critical faculties when you are projecting. However you cannot emphasize these too strongly or you will terminate the experience.

You should find it interesting, when you note waking or dream projections, to notice the overall form of perception that you seem to be using. You will automatically shield yourself in a large measure from stimuli that is too strong for your own rate of development. This balancing attempt may lead to an unevenness of experience during any given projection.

Usually you will project from the physical body into the first form, and then perhaps into the second form. Occasionally this will happen and you will not know it, despite all your attempts to ascertain your circumstances. There are indeed however ways and signs that tell you when you switch from one form to the other, and we shall indeed see that you know these. You should both—this is Joseph and Ruburt now—you should both have several examples of projections within the first and second forms in the following months, if your development continues at its present rate.

(After the gesture Jane switched the envelope to a vertical position as she put it back against her forehead. From now on I watched carefully to see that she held the envelope in the same position until the end of the delivery, so that I could mark the top dimension thus, should it be necessary to our interpretation of the data, and the Wilburs verified that the position of the object itself was thus determined by marking in succession both envelopes as they were opened at break, the two pieces of Bristol, and finally the object itself.)

(Broad smile, eyes wide open.) I should never be the one to tell you this, for my friend Ruburt will be after me with a broom next.