“Seth material” search engine (Jane Roberts)

A small, very white object also. It seems to be a cube with the side to the right lighter somehow than the other sides. The object may lay on the page of a book.

This way (Jane gestured with the vertical envelope without changing its basic position), the impression of a long line, approximately down the center, or a thin dark object, and a small object in the lower right-hand corner.

Perhaps a connection with a June date, and some designations on the other side of the object—perhaps in the upper left-hand corner. (Still holding the envelope in the vertical position and in her right hand, Jane lowered it enough so that she could touch the envelope’s upper left corner with her left hand.)

(Again I seemed to interrupt. Seth now went into something new as far as the envelope data is concerned. The Wilburs and I agreed later that Seth evidently decided to insert the following material just on his own, and because the time, and Jane’s trance state, seemed right to him. There is also a general idea connection with what follows and the envelope object.)

(“Connection with a framework that is broken, or cut off.” In the lower right hand corner of page 1 of the object is a monogram consisting of the letters A and S, for Art Shop. The right leg of the A is cut shorter than the left leg. When Jane saw the monogram she said the A represented a framework to her, like an A-frame house, and that the right leg was shorter.

(“and a small object in the lower right-hand corner.” With the object held as marked by T on page 4, the A-S monogram for the Art Shop is seen to be in the lower right-hand corner of page 1. This is speaking intrinsically. We don’t know for instance whether Jane held the envelope with page one of the object toward her face, or with page 4 toward her face; nor do we know whether this matters, or if it influenced Seth’s data.

(“and some designations on the other side of the object, perhaps in the upper left-hand corner.” Holding the envelope vertically in her right hand, Jane pinched the upper left corner of the envelope with her left hand. See page 243. There is printed matter on pages 1 and 3 of the object; folded, this puts one printed page behind the other, which could give rise to Seth’s use of “other side.” The Art Shop address at the top of page 3 however is neither to the right or left, but centered. We don’t know if the upper left-hand corner data derived from Jane holding the object with page one facing away from her, for instance.