1 result for (book:tes6 AND session:268 AND stemmed:point)
[... 28 paragraphs ...]
You see, some experiences will be simple attempts to use the inner senses more fully. You are at a point where you can utilize these to a much larger extent. Some such experiences will appear to be projections, and as we go along I will tell you how to distinguish between them.
[... 7 paragraphs ...]
Using this third form, there would be a tendency for you not to recognize your own physical situation. It would be difficult to carry the memories of the present ego personality with you. This third form is the vehicle of the inner self. The disorientation that it feels is the disorientation, you see, that it will feel when the physical body is deserted, or at the point of death.
[... 4 paragraphs ...]
I want to mention the difference also in experience and sensation, between a projection that begins in the dream state, and one that begins in a trance state, and also to discuss what Ruburt calls awake-seeming dreams, for there are several points here that you do not know, and they are fairly important.
[... 42 paragraphs ...]
(“This is difficult to put into words… The impression of something going forward, as of a path, you see, that is wide, and then narrows into the distance.” Jane made her gesture, as described on page 242. “That may need some interpretation, but that is the impression.” I sought more information on this impression by the first question. At the time of the above data Jane held the envelope horizontally. There can be a literal interpretation: The drawing of the milkweed on page one of the object is V-shaped in the abstract sense—wide at one end, narrowing to a point, as did Jane’s gesture. Also the A in the Art Shop monogram narrows somewhat but doesn’t come to a point. There can also be a symbolic interpretation, and Seth raises this possibility in answer to the first question.
[... 41 paragraphs ...]