“Seth material” search engine (Jane Roberts)

(“Connection with a framework that is broken, or cut off.” In the lower right hand corner of page 1 of the object is a monogram consisting of the letters A and S, for Art Shop. The right leg of the A is cut shorter than the left leg. When Jane saw the monogram she said the A represented a framework to her, like an A-frame house, and that the right leg was shorter.

(“This is difficult to put into words… The impression of something going forward, as of a path, you see, that is wide, and then narrows into the distance.” Jane made her gesture, as described on page 242. “That may need some interpretation, but that is the impression.” I sought more information on this impression by the first question. At the time of the above data Jane held the envelope horizontally. There can be a literal interpretation: The drawing of the milkweed on page one of the object is V-shaped in the abstract sense—wide at one end, narrowing to a point, as did Jane’s gesture. Also the A in the Art Shop monogram narrows somewhat but doesn’t come to a point. There can also be a symbolic interpretation, and Seth raises this possibility in answer to the first question.

(“A house.” As stated in connection with the “framework” data on page 244, the A in the Art Shop monogram on page one of the object meant framework, or A-frame house, to Jane.

(“and a small object in the lower right-hand corner.” With the object held as marked by T on page 4, the A-S monogram for the Art Shop is seen to be in the lower right-hand corner of page 1. This is speaking intrinsically. We don’t know for instance whether Jane held the envelope with page one of the object toward her face, or with page 4 toward her face; nor do we know whether this matters, or if it influenced Seth’s data.