“Seth material” search engine (Jane Roberts)

(“This is difficult to put into words… The impression of something going forward, as of a path, you see, that is wide, and then narrows into the distance.” Jane made her gesture, as described on page 242. “That may need some interpretation, but that is the impression.” I sought more information on this impression by the first question. At the time of the above data Jane held the envelope horizontally. There can be a literal interpretation: The drawing of the milkweed on page one of the object is V-shaped in the abstract sense—wide at one end, narrowing to a point, as did Jane’s gesture. Also the A in the Art Shop monogram narrows somewhat but doesn’t come to a point. There can also be a symbolic interpretation, and Seth raises this possibility in answer to the first question.

(The next question asked Seth for more data on the top impression. We don’t know whether the following data is in answer to the question: “A designation of some sort. Perhaps initials or date, in the upper left-hand corner, on the other side of the object.” Jane again indicated the upper left corner of the envelope, as she still held it vertically. This appears to be a repeat of the left corner data given on page 243, and as stated there, there is nothing in particular in a corner with the object held as marked on page 236.

(The third question asked for colors connected with the object. Seth gets around to answering the question, but first inserts the material concerning my brother Loren: “Now, we will try something here. I am up above, looking down at a room in which four people sit at a table. They are members of a family. Of your family, Joseph.”

(Now Seth answered the question: “A rectangular object, with white background. Also gray.” The object is rectangular. It has a white background. There is no gray on the object, but as soon as she saw the fine print on page 3, Jane said this to her meant the impression of gray.

(Seth returned once more at 11:54, this time again in answer to our speculations concerning the second cat and Jane’s sleepwalking episode. Here is the rest of the story involving the second cat: After I left for work and Jane had taken the cat into the house, she discovered to her sorrow that the cat had somehow gotten its lower jaw caught in a new collar we had put on it the day before, and that evidently the cat’s lower jaw had been forced open in this strained position for some hours. Jane had to use scissors to cut the collar off. The cat promptly fell into a stuporous sleep, that lasted all day.