1 result for (book:tes6 AND session:266 AND stemmed:eagl)
[... 65 paragraphs ...]
(Clues were available however. As soon as she opened the double envelope and saw the front of the object, Jane announced that the picture thereon was of a moose. Actually it is a black line drawing, in some detail, of an eagle. We pursued this impasse for some little time. Jane insisted the drawing represented a moose; she interpreted the spread of the eagle’s wings as stylized antlers. My tracing is quickly done on page 217, and shows little detail, but the drawing on the actual object is very well and finely done, including individual feathers on the wings, etc. I could see little relationship between an eagle and a moose here except in the most abstract sense. It was easy for us to agree that Jane saw a moose instead of an eagle because she wanted to. Intellectually she agreed that the drawing was of an eagle, but said that she saw a moose.
(As I began typing these notes on Saturday June 11, two days later, I showed Jane the envelope object again. Her opinion on the drawing had not changed; she still regarded the drawing as that of a moose, with the eagle’s wings representing stylized antlers. As for the rest of the drawing other than the wings or antlers, she said she couldn’t see anything in it “in particular” that represented an eagle.
(As soon as she saw the object and identified the eagle as a moose, Jane said the M and “munch” data, given first, applied to the moose idea.
[... 2 paragraphs ...]
(“The impression of two people. One bending down or over… Now these may be objects, or representations, rather than persons, but I have the impression of two persons… In any case these two objects seem to be together, toward the lower center of the object perhaps, holding the object this way.” These are excerpts from succeeding impressions as a group, and are given here because Jane thinks the bending over idea here derived from the way the wings of the eagle bend in and down toward each other; they are together, or close, at the base, and in the center of the object.
[... 4 paragraphs ...]
(“…impression of a woman and a shorter woman… The impression has to do with shapes. They seem to be bending down or over.” This in answer to my first question, concerning the two people. Jane said, again, that she believed the bending over idea expressed here stemmed from the bending of the eagle wings.
[... 5 paragraphs ...]
Ruburt does not approve of guns. The quite legitimate visual data was quickly and frantically transformed. You saw this happen in a different way—after the envelope was opened, when Ruburt insisted on seeing the moose instead of the eagle.
[... 1 paragraph ...]
It is quite amazing that any legitimate data got through, and little did. There was a complete subconscious refusal to interpret the data, and a complete reversal in this case. For instead of the gun, which to Ruburt signifies destruction, purposeful destruction, you have the distortion of the eagle shape on the gun label, into a woman and child image, signifying of course creativity in this case.
[... 13 paragraphs ...]
(At the end of the session she was still convinced the eagle looked like a moose, although she agreed it was actually an eagle because I said it was. Jane mentioned showing the object to others to get their opinion.
[... 3 paragraphs ...]