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TES6 Session 265 June 6, 1966 12/120 (10%) Marilyn ceramic bricks Wilburs object
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 265 June 6, 1966 9 PM Monday

[... 14 paragraphs ...]

You are familiar, all of you, with subconscious fabrications as they exist in the nightmare condition. Now on occasion when you are projecting from a dream point, you will meet such subconscious images. Your ordinary standards of reality mean absolutely nothing when you leave the physical system, therefore you will encounter, simultaneously perhaps, images that are subconsciously formed; quite valid images that belong in another dimension; constructions created by others within another system; and for any control at all, you must learn how to distinguish one from the other.

[... 5 paragraphs ...]

(Eyes open, smiling, very emphatic with gestures.) Ruburt told one of your friends to respect physical reality. Whether or not the automobile is a sensory hallucination, it can kill you, he said. And I tell you, whether or not these images are hallucinations, they can be dangerous, and you must respect the reality in which they exist.

[... 23 paragraphs ...]

These are impressions. The object twirls. There are four objects that seem to be connected, four vertical wooden polelike objects, with one horizontal bar approximately in the middle. That is, one bar on the other side.

[... 2 paragraphs ...]

There are five events that Dr. Instream will attend specifically, and for which he is planning. Two of these will take place in a different city. The day for one is July 14. (Pause.)

[... 4 paragraphs ...]

Four, plus one or two. Connection with a meeting. Colors green and yellow. The impression of stairs or steps. (Pause.) Something ascending in this fashion, you see.

[... 19 paragraphs ...]

(“Four, plus one or two.” On the back of the object Marilyn Wilbur had written April 4, 1966, as well as the name she had given her ceramic sculpture. This date is the day Don took the picture and gave it to us. April is the fourth month; the number four also shows; and the number 1 in 1966. A 2 also shows in the serial number on the right back edge of the object. We don’t know whether Seth might have referred to this, and since I didn’t know what the object was either I couldn’t ask questions to help clear it up.

[... 4 paragraphs ...]

(Jane regretted having one impression while giving the above data that she did not give voice to. Once again, it is often left up to her as to whether to speak an impression aloud, pursue it, or choose to ignore it. She did not pursue this one. It was the word “stone.”

(Jane’s gesture, incidentally, was a smoothly rising one, as the brick walk smoothly rises on the object. She did not indicate the angular construction of stairs, for instance.

[... 2 paragraphs ...]

(“and with square objects, in design fashion.” The bricks in the photo are rectangular, not square. As stated they are not cemented in place but set together irregularly; the pattern they make is a nicely designed one. The walk is in front of the trailer the Wilburs inhabit in a nearby small town.

[... 8 paragraphs ...]

(Since I didn’t know what the object was all my questions were asked in the dark, so to speak. My first one asked just how the yellow and green were connected to the object. “Perhaps yellow in the center of a slightly rectangular shape, outlined in green.” The object is rectangular, but more than slightly so. The above data is a good description of the yellowish brown grass in back of the cat’s head, as explained under the yellow and green data on page 212; and of the way the yellow grass merges into the darker green brown grass around the edges of the photo. See the tracing on page 206.

[... 15 paragraphs ...]

Projection from a dream state is something else again, therefore, and when it is executed successfully then you have a fine example of the self as it changes the focus of its own awareness. Here the critical consciousness is quite apparent, while the body sleeps. Projections occur quite naturally under these conditions. For the development of the whole self however, and for the perfection of such experiences, it is beneficial that such projections be carried out by the conscious wish of the projector. You learn therefore to manipulate your own consciousness in different realities than the ones with which you are usually concerned.

[... 6 paragraphs ...]

The M and the other impressions as you have recorded them. Some of the data was distantly connected, and nothing is to be gained now by taking the time to explain it. The idea of envelopes brought by guests is a good one however, and I do approve.

[... 5 paragraphs ...]

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