1 result for (book:tes6 AND session:265 AND stemmed:form)
[... 14 paragraphs ...]
You are familiar, all of you, with subconscious fabrications as they exist in the nightmare condition. Now on occasion when you are projecting from a dream point, you will meet such subconscious images. Your ordinary standards of reality mean absolutely nothing when you leave the physical system, therefore you will encounter, simultaneously perhaps, images that are subconsciously formed; quite valid images that belong in another dimension; constructions created by others within another system; and for any control at all, you must learn how to distinguish one from the other.
[... 4 paragraphs ...]
We have explored the various forms in which you may travel. I have also told you that the form in which you find yourself can be a tip-off to you. If your levitation experience seems to carry you outside of your solar system, then you know that you are using the third form, and that your abilities for the time are almost limitless, comparatively speaking. Any image that you see in any case must be accepted. Now. Physically speaking it does no good to call such images hallucinations, for they are no more hallucinations than the chair in which my friend Ruburt now sits.
[... 71 paragraphs ...]
(Seth continues in answer to the first question: “A visual connection, with square or rectangular objects in the center of a larger area”, refers to the rectangular bricks marching up across the center of the object. “with modern connotations as a design might have.” refers to the very modern, rounded or circular design of Marilyn’s ceramic cat. “Perhaps connected with spindly lines or strings.” refers to the abstract pattern created, in line form, by the narrow crevices and shadows around the individual bricks, all these lines being interconnected.
[... 3 paragraphs ...]
(“The F may refer to a person.” The fourth question asked about the F and O data. Marilyn and Jane thought the F referred to F as in feline, or the F sound in the name Lucifer, the name which Marilyn gave to her ceramic creation. “The O, I believe, is simply a shape, that is, a circle shape.” The ceramic cat is composed of forms circular in shape. See the tracing on page 206.
[... 23 paragraphs ...]