1 result for (book:tes6 AND session:262 AND stemmed:past)
6/92 (7%)
poinsettia
plant
horizontal
Bristol
Callahan
[... 8 paragraphs ...]
The excursions with form number one will be of your own system, and largely connected to the earth, although past, present and future may be involved. You may, for example, visit New York in the year 2,000. This is at least possible, you see, using form number one.
[... 3 paragraphs ...]
A longer duration of projection is possible. The vividness is extraordinary. You will begin here to perceive very clearly constructions that are not your own, where earlier these were but dimly glimpsed. A certain period of orientation will be necessary, simply because these other constructions may be bewildering. Some will exist in your future. Some may have existed in your past, and some were thought of but never physically materialized.
[... 1 paragraph ...]
It may however be a valid projection. The room and the people exist, but they do not exist in the manner which you endorse as reality. They exist in another dimension, but as a rule you cannot perceive it. In this case, you see, since the book has already been written you could say that the scene was a past event, at least of the imagination, at the time the author conceived of it.
[... 10 paragraphs ...]
Such an action would therefore appear to happen twice—once in your present, and once in your future, you see. But in the future (smile)you would be the one whose course is altered by this traveling self from the past.
[... 2 paragraphs ...]
(Eyes open.) In any case this future self of yours heeds what you say. Now, in the actual future you are the self who one way or another, you see, hears the voice of his past self. (Jane leans forward, knocking on the tabletop for emphasis, eyes wide.) Perhaps in a dream, or perhaps in a projection, made into the past.
[... 37 paragraphs ...]
(Seth uses the word perhaps here, so he may not have been sure, or Jane may have been a bit unsure. He does mention right hand corner. We believe the starlike shape a good reference to the internal pattern of the leaf. This kind of radiating line pattern is one which Jane uses in her paintings, and in past experiments has been interpreted as “sun shape,” “star shape,” etc.
[... 24 paragraphs ...]
