1 result for (book:tes6 AND session:262 AND stemmed:hand)
[... 2 paragraphs ...]
(Jane had been housecleaning, and to air the place out all the windows were open, still, at session time. Thus Jane began speaking in a voice quite a bit stronger than usual, evidently to counter the constant street noise. Her eyes soon began to open; she began speaking with a smoking cigarette in her hand. Her pace was fair.)
[... 29 paragraphs ...]
(It was now time for the 66th Dr. Instream experiment. Jane sat with a hand raised to her closed eyes. Resume at 10:04.)
[... 11 paragraphs ...]
Also something in the center of the oval. (Jane now lowered the envelope to her lap with her left hand, sitting however with her other hand still to her closed eyes.) Two horizontal lines, rather widely separated from each other.
A small starlike shape, perhaps in the lower right hand corner, holding the object this way. (Jane gestured with the envelope which she now held so that the short dimensions were horizontal to the floor. I noted this position and watched her closely to see if she changed the envelope’s position as the experiment continued.)
[... 19 paragraphs ...]
(“A small starlike shape, perhaps in the lower right hand corner, holding the object this way.” By now Jane had lowered the envelope to her lap while giving the data, and held it with a short edge up as explained. See my indication of this by use of the word top on the back of the tracing on page 189. I determined this as explained low on page 193. With the object held in this position, it can be seen that the smaller of the two poinsettia leaves would be in the lower right hand corner or the lower left hand corner, depending on whether the piece of Bristol to which the leaves were taped had the leaves facing toward Jane or away from her.
(Seth uses the word perhaps here, so he may not have been sure, or Jane may have been a bit unsure. He does mention right hand corner. We believe the starlike shape a good reference to the internal pattern of the leaf. This kind of radiating line pattern is one which Jane uses in her paintings, and in past experiments has been interpreted as “sun shape,” “star shape,” etc.
[... 24 paragraphs ...]