1 result for (book:tes6 AND session:262 AND stemmed:but)
[... 1 paragraph ...]
(The objects for the 57th envelope experiment were two leaves taken from our poinsettia plant. The plant is an old one, and one of our favorites. We see it every day of course but I was sure Jane wasn’t aware of these two specific leaves separately. The plant also has an interesting history, which will be brought out later. I taped the leaves to one of the two pieces of Bristol used in these experiments, sandwiched it against the other piece, then sealed the two in the usual double envelopes. Note that the word “top” is penciled on the back of the Bristol; this was done by me after the experiment, but before Jane saw the objects, as will be shown later.
[... 10 paragraphs ...]
A longer duration of projection is possible. The vividness is extraordinary. You will begin here to perceive very clearly constructions that are not your own, where earlier these were but dimly glimpsed. A certain period of orientation will be necessary, simply because these other constructions may be bewildering. Some will exist in your future. Some may have existed in your past, and some were thought of but never physically materialized.
But the reality of all of these constructions will be equally vivid, you see, for they are indeed equally real. I will give you one very simple example. Suppose you find yourself in a room with certain people, and you recognize later upon awakening that this room and these people both belong to a particular sequence in a novel. You think then, “This was no projection, simply a dream.”
It may however be a valid projection. The room and the people exist, but they do not exist in the manner which you endorse as reality. They exist in another dimension, but as a rule you cannot perceive it. In this case, you see, since the book has already been written you could say that the scene was a past event, at least of the imagination, at the time the author conceived of it.
[... 10 paragraphs ...]
Such an action would therefore appear to happen twice—once in your present, and once in your future, you see. But in the future (smile)you would be the one whose course is altered by this traveling self from the past.
[... 5 paragraphs ...]
(Break at 9:57. Jane was well dissociated. Her pace had been average but her manner very emphatic. She had smiled often and used many gestures. Her eyes had been open for paragraphs at a time. She had been aware of nothing but the material, she said.
[... 3 paragraphs ...]
Perhaps two windows also on the south side; though I am not sure these are windows on the south side, but window shapes in any case. The others are windows. There is no building immediately outside of them, but grass and street or a courtyard.
[... 17 paragraphs ...]
I have the impression of two dark horizontal lines, one rather toward the top and one rather toward the bottom. (Jane again gestured with the envelope. She held it in the same position as noted before, the small dimensions parallel to the floor. She hadn’t changed its position by idly turning it, for example.) Both inside, but just an oval shape. Holding the object this way. (The same gesture again.) Now I suggest your break. Unless you have any more questions.
[... 3 paragraphs ...]
(Break at 10:25. Jane said she was really “out.” Way-out, she said, not aware of anything but the data and the connection to or with her mother, Marie. Her eyes had remained closed through both experiments, her pace had been good.
[... 2 paragraphs ...]
(“Again, I have the impression of something round—more oval, perhaps. Fairly large in the center of a square or rectangular object.” As noted Jane held the envelope to her forehead with the long axis parallel to the floor. No matter which long edge was uppermost this places the large poinsettia leaf in the center of the card as far as the short edges are concerned. Even so the large leaf would be off center, either above or below, as far as the long edges are concerned. I hoped Seth would mention two objects, but he did not.
[... 19 paragraphs ...]
(More data follows from the first question: “Both inside, but just an oval shape. Holding the object this way.” [Jane gestured again, the envelope in the same position, short end up.] From this we infer that Seth refers to the spines of the leaves, and not their stems; yet mention is made only of an oval shape, singular.
[... 7 paragraphs ...]
My heartiest regards. I would speak with you longer, but my friend Ruburt has said good night to me, and as always I respect his wishes.
[... 2 paragraphs ...]