1 result for (book:tes6 AND session:261 AND stemmed:page)

TES6 Session 261 May 23, 1966 7/113 (6%) mirth serape sketch lawn party
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 261 May 23, 1966 9 PM Monday

[... 63 paragraphs ...]

(Seth answers a few questions after break. In the meantime Jane and I made our own connections. See the tracing on page 178, and the notes on page 179.

[... 14 paragraphs ...]

(“Missed, an occasion missed earlier.” See the interpretation of an unpleasant event on page 184. The “missed” here refers to Jane putting off her sunbathing until the neighborhood children had gone. She went outside around 3:00 PM, when I made the sketch. Originally she had wanted to go out after lunch, but waited.

[... 8 paragraphs ...]

(Jane did not have this image when she gave the “rectangular card” data interpreted on page 184.

[... 1 paragraph ...]

(“The sort of lines for example that a map would have to indicate small roads, or the lines like cracks in a dry ground.” My second question asked for more on the wavering lines impression discussed on page 185. See the copy of the object on page 178. The drawing is composed of thin pencil lines in part at least, and these could in the abstract represent small roads on a map, or lines like cracks in dry ground.

[... 1 paragraph ...]

(“I am not sure here. It seems a connection with a party. But also a connection with something unpleasant, so I am not sure.” My third question concerned the mirth data, discussed on page 184. At that time Seth didn’t come up with a party connection with mirth, although he mentioned party later on. He did connect mirth to something unpleasant, however, and we believe this to be the correct connection. Here above, he is also unsure about the party connection, the something unpleasant data interfering.

[... 1 paragraph ...]

(“I think there is a red color, and rather large lettering, perhaps four or five lines.” My fourth question asked for the content of the horizontal lettering mentioned by Seth. Seth named both horizontal lettering and red before in the data. As stated on page 184 Jane wore shorts of a predominantly red plaid in the sketch, and the serape she sat on contained broad bands of red.

[... 1 paragraph ...]

(“Come… An invitation to do something, or go somewhere, or to join.” Jane believes this data grew out of the gallery card data interpreted under organizations on page 186. There is another connection; Jane mentioned it tentatively but we had no way to be sure. Seth confirms it after break however.

[... 16 paragraphs ...]

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