“Seth material” search engine (Jane Roberts)

(The 56th envelope experiment was held during the session. The object was a pencil drawing I made of Jane this afternoon, without her knowledge. I looked down on her as she sunned herself, my viewpoint being the back row of the studio windows on the second story. The sketch took but a few minutes because she moved so frequently, and I was much amused at her restlessness; this mirth plays a part in the experimental results. The drawing is on porous paper with a slight yellowish cast. I placed it between the usual two pieces of Bristol, then sealed it in double envelopes.

A fine. Perhaps money must be put into the turnstile to make it move. A connection with a large building on the other side here, and a sign. The letter D connected with the sign. Down, or downs, I do not know. Perhaps stairs leading down.

(“Mirth.” As stated earlier, I felt pronounced amusement while making the drawing used as the object. Jane moved almost constantly while posing unwittingly, and I had to work very rapidly while at the same time being careful she didn’t look up at the studio windows on the second floor and see what I was doing.

(“A twist.” We don’t know. Jane was moving almost constantly as I sketched her, and her motions included many bodily twists and turns. This may apply, when considered with the next data.