“Seth material” search engine (Jane Roberts)

One small interesting point here. Ruburt’s projection upon first looking over the Fox book was quite legitimate.

But the training here is vastly important, and a manipulation of consciousness in this way has definite advantages. It will take some work on your part, but you will indeed by able, perhaps with some use of suggestion, to realize, when in the dream state, those occasions when you are projecting.

A fine. Perhaps money must be put into the turnstile to make it move. A connection with a large building on the other side here, and a sign. The letter D connected with the sign. Down, or downs, I do not know. Perhaps stairs leading down.

The impression of a fence or border here, shown in the picture. (Eyes open and closed.) It is of an old, rather than a new place, I believe, connected with a stone building. (Eyes open again; with gestures.) Perhaps the building is in some way on exhibition, or one must pay to enter it. Again, this is a picture of some sort, and not the building itself.

I am not sure here. It seems a connection with a party. But also a connection with something unpleasant, so I am not sure.

(“An impression of many people.” Here Jane said she had the impression of a party, but decided to drop this line of association. This came from the mirth reference, she thought, and she was not sure the chain of association was correct. Sometimes it is left up to her as to what train of thought to follow. Again, Seth expresses uncertainty about the party-mirth connection in answer to my third question.

(“Missed, an occasion missed earlier.” See the interpretation of an unpleasant event on page 184. The “missed” here refers to Jane putting off her sunbathing until the neighborhood children had gone. She went outside around 3:00 PM, when I made the sketch. Originally she had wanted to go out after lunch, but waited.

(“A thin border on the object”, The border might be called thin on the bottom and left edge of the object, since the drawing runs out almost to the edge here. There is plenty of room however on the top and right sides.

(“A card, such as the kind sent out by organizations for invitations.” Jane had an image here, of a rectangular card of the kind that used to be sent out by an art gallery where she worked up until a year of so ago. This image card was the same size and proportion, she said, as the rectangular paper the envelope object is drawn on; she believes Seth gave her this data to reinforce that idea.

(“I am not sure here. It seems a connection with a party. But also a connection with something unpleasant, so I am not sure.” My third question concerned the mirth data, discussed on page 184. At that time Seth didn’t come up with a party connection with mirth, although he mentioned party later on. He did connect mirth to something unpleasant, however, and we believe this to be the correct connection. Here above, he is also unsure about the party connection, the something unpleasant data interfering.

(“I have done as much to name it as I can.” Here I asked Seth if he wanted to name the object.