1 result for (book:tes6 AND session:261 AND stemmed:do)

TES6 Session 261 May 23, 1966 16/113 (14%) mirth serape sketch lawn party
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 261 May 23, 1966 9 PM Monday

[... 7 paragraphs ...]

The dream body is the one with which you are most familiar. It has been called the astral body. It strikes you as being physical, though you can do things with it that you cannot do with your physical body. You can levitate with it, for example. As a rule you do not go through walls with this body. This is the body that you use for ordinary dreams. Levitation is possible with it, but on a very limited basis.

[... 3 paragraphs ...]

The form that you use does not dictate the various abilities. You don the particular form in line with your abilities. You do the best you can, in other words. (Smile.) It is possible to begin an experience in one form, and change to another, or to go from the first to the third. On such occasions you must therefore, you see, pass through in reverse direction. The forms do merely represent various stages of consciousness.

[... 1 paragraph ...]

Now I realize that Ruburt is not too happy with me for bringing up this next point. Intellectually he is highly critical of it. On another level however he knows very well that it is legitimate. There are indeed others who can help you in such experiences, and who often do while you are in the dream state, whether or not you know it. They can be of great assistance as guides.

[... 13 paragraphs ...]

Then you can prolong the experience, and recognize it as a valid out-of-body excursion. The mobility of consciousness will automatically allow you greater freedom in using your inner perceptions in waking life also. For this is a motion of consciousness, a motion that has little to do with the motion of the physical body.

[... 1 paragraph ...]

During your present life however the connection must be maintained. I will give you a break before our Instream material. I do want to mention however that all consciousness within your system has the same sort of freedom within certain degrees.

[... 5 paragraphs ...]

A fine. Perhaps money must be put into the turnstile to make it move. A connection with a large building on the other side here, and a sign. The letter D connected with the sign. Down, or downs, I do not know. Perhaps stairs leading down.

The object he has chosen has a strong connection with a place. (Jane began to rub her eyes strongly.) The object is not utilitarian, that is, you cannot do anything with it, but it represents something else.

[... 5 paragraphs ...]

Do you have an envelope for me?

[... 8 paragraphs ...]

Do you have any questions? (Jane lowered the envelope to her lap, her eyes still closed.

[... 7 paragraphs ...]

I think there is a red color, and rather large lettering, perhaps four or five lines. Come… An invitation to do something, or go somewhere, or to join. Perhaps 24, referring to a day of the month. Five or 6 for the month perhaps.

(“Do you want to name the object?”)

[... 3 paragraphs ...]

(“Mirth.” As stated earlier, I felt pronounced amusement while making the drawing used as the object. Jane moved almost constantly while posing unwittingly, and I had to work very rapidly while at the same time being careful she didn’t look up at the studio windows on the second floor and see what I was doing.

[... 16 paragraphs ...]

(This rock data and related data is a case where Jane decided to pursue her original impression of being up high. Often, she said, it is left up to her as to whether to so develop an impression. Sometimes she doesn’t know what to do. This time she followed up to some degree because she also had an image, of someone standing on high, looking down from some kind of rocky perch. She believes this image was distorted to some degree.

[... 8 paragraphs ...]

(Jane didn’t have much to say about the map simile, but thought the ground crack idea pertinent. While sitting in the sun, smoking the one cigarette she had with her—it is shown in the sketch, which means she smoked it after I finished the drawing—she looked for a bare spot of ground against which to put the smoke out. In doing so she realized that the ground was quite dry, and that we needed more rain.

[... 4 paragraphs ...]

(“Come… An invitation to do something, or go somewhere, or to join.” Jane believes this data grew out of the gallery card data interpreted under organizations on page 186. There is another connection; Jane mentioned it tentatively but we had no way to be sure. Seth confirms it after break however.

[... 11 paragraphs ...]

We will now close our session. One remark: It will do Ruburt good to work vigorously about the house, and that is all.

[... 4 paragraphs ...]

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