“Seth material” search engine (Jane Roberts)

(Jane of course had never seen this object, or any others like it, because I have never made them before. I made two of them on May 10,1966; I dated one of them and used the other in the envelope. The pigment color is quite dark, but not black. The stonelike or rough surface and the dark color enter into the experimental results.

Practically speaking however there are usually only three. Your own fourth-dimensional personality structure obviously operates constantly. One of the main purposes and goals of the whole self is to become aware of all such existences, and to correlate them into an identity structure.

The Fox experiments are quite valid, with some changes that you will make, I imagine. At one level of the dreaming state it is possible for you to recognize and align yourself with that portion of yourself that is aware of itself within fourth-dimensional reality. You have both occasionally learned to take our waking consciousness into the dream state, and here Fox is correct, for you must start at this point.

Now, the object is some sort of a chain. Widely woven, rather than one with small spaces in it. The object is reminiscent of paper chains made by children, with wide loops, and of many pastel colors.

The question is not a good one. (Jane smiled.

(“A square object, perhaps a small square shape at the top center of the object, balanced by another shape at the bottom center.” Throughout the data Seth keeps attempting to refine this shape or block image, with some success. Although none of the shapes on the original object are square, they do give the impression of being balanced one upon another. Any object produced like the envelope object will give a feeling of balance, no matter what the design, as long as both halves are printed or impressed in full. On the original many small white interstices show that are not visible on the quick tracing. It seems Seth had a correct impression.

(“The question is not a good one.” Just for kicks, I asked Seth if he thought the object was a photograph. This because of the numerous photo and man references in the data. At this time, of course, before Jane had seen the object, I had no idea that it would remind her strongly of a man, and hence possibly give rise to the photo data.

(“Give us a moment, please… With a block or blocks, as rocks or steps of stone.” This block or rock or stone data could be connected to the data in the paragraph just above this one; although Seth took a long pause in between. At any rate it seems that the texture, the rough stonelike feel and appearance of the pigment on the object, could have given rise to the rock or stone impressions which in turn could conjure up the step data and so lead to the idea of a photo.

(“Also a connection with a building that is not seen from the front but from the side, perhaps from a verandah.” This building data could thus have resulted from the steps mentioned above. If Seth is talking about a photo here, Jane and I do not know offhand what one it could be. We have photos of buildings in our album, of course, but no specific building or location comes to mind.

(“Perhaps J B and a date.” Jane, or Seth, getting at the idea of photograph again. As stated earlier, I made two similar objects with the same pigment on May 10,1966. I dated and initialed the one not used in the envelope experiment; this gives an RB and a date, but I doubt if this is what Seth is getting at here.