1 result for (book:tes6 AND session:259 AND stemmed:here)

TES6 Session 259 May 16, 1966 11/95 (12%) pigment object Fox white shape
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 259 May 16, 1966 9 PM Monday as Scheduled

[... 12 paragraphs ...]

The Fox experiments are quite valid, with some changes that you will make, I imagine. At one level of the dreaming state it is possible for you to recognize and align yourself with that portion of yourself that is aware of itself within fourth-dimensional reality. You have both occasionally learned to take our waking consciousness into the dream state, and here Fox is correct, for you must start at this point.

[... 25 paragraphs ...]

There is more I want to say here. However you had better take your break for our Instream material.

[... 3 paragraphs ...]

I have the impression of a name, I believe Severn, S-e-v-e-r-n. I do not know to what it refers. There seems to be a hill here also. Perhaps a person named Severn lives on a hill.

[... 3 paragraphs ...]

Also a date, 1937. Other impressions, not connected with the object: A misuse. Dr. Instream believes that something is being misused. A connection here with a framework of associations having to do with psychology. And a misfit.

[... 22 paragraphs ...]

(“Dark printed matter.” As stated, the pigment used on the object is quite dark, a burnt gray brown, but it is not black. Jane’s impression of it, I noted, was that it was darker to her than to me. I don’t know whether Seth uses printed here to mean an ink applied to paper or newsprint, or just some other substance applied to a surface as in the case of the object.

[... 4 paragraphs ...]

(“The square shapes again, now, as in small patterns.” Seth’s refinement here is to the point. The original object contains a multitude of fine patterns made by the rough paint when I pressed the folder paper together. It is very charming; the patterns are almost like the veins in a leaf. Flecks of white scattered throughout also.

[... 1 paragraph ...]

(“A forthright statement, numbers, perhaps a room number. This leads Ruburt to think of Oswego and your stay there. A connection with a federation of some sort.” Again, this data puzzles us. The object has no connection with Oswego, NY. Jane hasused federation, and words like before re large buildings such as post offices, etc., so it seems that here federation refers to the college at Oswego, where Dr. Instream teaches.

(“A connection with a man, not yourself, perhaps with your landlord.” The paint blot on the object reminded Jane of a man, which could give rise to the man data here. However I am connected with the object since I made it.

[... 3 paragraphs ...]

(“Also a connection with a building that is not seen from the front but from the side, perhaps from a verandah.” This building data could thus have resulted from the steps mentioned above. If Seth is talking about a photo here, Jane and I do not know offhand what one it could be. We have photos of buildings in our album, of course, but no specific building or location comes to mind.

(“Something overturned.” The irregular shape of the pigment on the object; a similarity here between it and some liquid spilled.

[... 3 paragraphs ...]

(“Perhaps J B and a date.” Jane, or Seth, getting at the idea of photograph again. As stated earlier, I made two similar objects with the same pigment on May 10,1966. I dated and initialed the one not used in the envelope experiment; this gives an RB and a date, but I doubt if this is what Seth is getting at here.

[... 7 paragraphs ...]

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