“Seth material” search engine (Jane Roberts)

You do exist therefore in both of these dimensions. The ego cannot participate directly in such experience. There is a compliance on the part of the ego, however, that allows it to step aside so that it does not block inner awareness of other-dimensional existence. It is difficult, but not impossible, for the ego to correlate the information gained. Dreams involve as you know several dimensions. The dream state itself is a very loose term, for there are several layers of consciousness within it, and there is no limit to the states of consciousness that can be achieved, ideally speaking.

With a block or blocks, as rocks or steps of stone. (Jane gestured, her eyes still closed.) Also a connection with a building that is not seen from the front but from the side, perhaps from a verandah.

Something overturned. The feeling of a fluid dark color, broken by white shapes that appear like blocks. Perhaps some connection with a pond or pool shape. The object marked in the middle of the back, in pen or pencil.

(“A square object, perhaps a small square shape at the top center of the object, balanced by another shape at the bottom center.” Throughout the data Seth keeps attempting to refine this shape or block image, with some success. Although none of the shapes on the original object are square, they do give the impression of being balanced one upon another. Any object produced like the envelope object will give a feeling of balance, no matter what the design, as long as both halves are printed or impressed in full. On the original many small white interstices show that are not visible on the quick tracing. It seems Seth had a correct impression.

(“Give us a moment, please… With a block or blocks, as rocks or steps of stone.” This block or rock or stone data could be connected to the data in the paragraph just above this one; although Seth took a long pause in between. At any rate it seems that the texture, the rough stonelike feel and appearance of the pigment on the object, could have given rise to the rock or stone impressions which in turn could conjure up the step data and so lead to the idea of a photo.

(“The feeling of a fluid dark color, broken by white shapes that appear like blocks.” The wet pigment used to make the object was a fluid dark color, of course. Seth now uses the block data to refer to the whites scattered through the object on the original. Some of the whites are of a block shape, roughly, but more often simply irregular just as the pigment is.